I didn’t always believe in writer’s block. Not really. Yes, there were bumpy patches in every book and at times I needed a break. But those were always temporary things.
I didn’t really discover what writer’s block was until I started Slayers 3 (Back then I thought it was going to be one book and that it would probably take me 6-9 months to write and about 6 months to edit. Ah, those naive, carefree days.)
I’m pretty sure the writer’s block happened when Feiwel told me they’d decided not to do the third book of the series. Basically, I felt like they were telling me that the series wasn’t good enough–that it hadn’t sold well enough–for them to put out any money into a third book.
I was sad but not devastated. I knew I could write the third book on my own and put it up as an indie book. That’s what I immediately planned to do. I was busy with some other book at the time. I’ve forgotten which. So I didn’t get to it immediately.
But when I did get to Slayers 3, the writing was hard. I wasn’t happy with the first chapter. It all seemed so much worse than the first two books, which I loved. I needed the third book to be just as good.
On a long drive home from a family reunion, I started writing another book that I’d been thinking about for a few years. (I have a large list of those). It was a book to write for fun, one that I didn’t have to concentrate on. (Because who can concentrate with a car full of children and a grandchild?) I loved that book from its first sentence: The demons came again in the night.
I decided to finish it and that manuscript became The Girl Who Heard Demons. I didn’t feel like I had writer’s block for Slayers 3, though. Sometimes one idea becomes irresistible and you have to write it.
With my demons out of the way, I went back to Slayers 3. I think I wrote on it for a week, and then I started writing another book I’d thought about for a while. One in which a German navigator is shot down over England during WWII and ends up hiding out, wounded, in the heroine’s barn. In just a few days, I had about fifty pages done on that book. That’s when I realized I had writer’s block. I wanted to write anything but Slayers.
Well, the way to get through writer’s block is to sit down and write. I told myself I could get back to English farm girls when I was done with Slayers.
It was so hard. And it continued to be hard for the two years I’ve worked on Slayers 3,4 and 5.
With that in mind, here are some things that help with writer’s block.
1. First, check to make sure the issue isn’t being caused by a plot problem in your story. Authors frequently get writers block when their story is going in the wrong direction. Usually the problem is a lack of conflict. The story doesn’t have enough tension and so everything stalls. Look at your previous scenes and ask yourself what the character’s problem and goal are. What is standing in their way? If your character doesn’t have a problem/goal/obstacle, that is usually what needs to be fixed. But if the writer’s block isn’t due to plot trouble, try the next methods.
2. Morning pages: These are three pages of longhand, stream of conscious writing that you do every day. (You can learn more about them from Julia Cameron’s book The Artist’s Way.) You’re not allowed to edit or show these pages to anyone. They are written just for the sake of writing and they take away the fear of the blank page. They also give you time to take long looks at the issues you’re dealing with in your life. Good all around.
3. Do housework: No, really. I can’t tell you how many times I’ve been stuck on something and then while I’ve been mopping the floor the ideas I need come to me. Monotonous work will make the gears in your mind turn. It’s like your brain says, “Hey, I don’t want to clean the fridge. I’ll start spitting out ideas.”
4. Reading novels: Sometimes you just have to remember that you love stories and you want to tell them. Reading a book or two or five is a good way to remember that and rekindle your creative fires.
5. Professional help: In my case I talked with Forrest Wolverton (Dave Farland’s son) Dave mentioned in one of his posts that his son had taken psychology classes (and I’ve forgotten whether Forrest is a psychologist, psychiatrist, counselor, or what have you) and how his son had helped him overcome writer’s block with one session. I was so mired in writer’s block–hating every day that I wrote–I figured it was worth a try to hire him.
I called him and we set up a time to talk. It was about an hour-ish session. I remember two things about our conversation. He asked me to visualize myself before I had the writer’s block, he asked me what I thought had caused the writer’s block, and then asked me what would I tell that first self.
I also remember that I cried during that phone conversation, which completely surprised me because I hadn’t thought this was a cry-worthy subject. Writer’s block was frustrating but it wasn’t like we were talking about personal things. Sometimes writer’s block becomes a personal thing, though.
6. Give yourself pep talks. I took a class at the Storymakers conference on overcoming writer’s block. (I did mention I had writers block for two years, didn’t I?) And the teacher there did a great job of having you identify a problem, (For example: I’m not a bestseller) then identify the conclusions you draw from the problem (I must not be a good writer) and then have you rethink your conclusions. (A lot of good authors aren’t bestsellers. A lot of bestselling authors didn’t start out that way. etc) You can reshape how you see things and that can make all of the difference.
7. Allow yourself to write the story badly. A main component of my problem has been that I’ve wanted so badly to write an amazing story. It’s a daunting task. I set the bar high for myself and don’t want to disappoint fans. Even though I know that first drafts are always bad, I still expected myself to come up with a perfect story. I finally had to just tell myself to write a bad story and trust in the process–trust that I could fix the manuscript in revisions.
One of my friends has writer’s block right now while she’s trying to write the last few scenes of her book. I told her to write them as dialog only. Most of us can commit to throwing some dialog on a page because we know that a bunch of dialog doesn’t have to be perfect. But once you have something down, you can start revising it. It’s always in the revisions that stories become what they were meant to be.
8. Pray. I know several authors who pray before they write. I’ve become one of them. If you’re not the praying sort, try a few moments of meditating before you write. Do what you need to in order to tap into the creativity inside of you.
With that said, I’m finally, finally doing revisions on Slayers: The Dragon Lords (which is now Slayers 4 and Slayers: Into the Firestorm will be Slayers 5) I’m shooting for a Dec/Jan release date.
Here is a rough idea of the cover. Every time I see the wording, I laugh.
Slayers: Into the Firestorm is 90% done. I need to write a few more scenes in each version. (Yes, I’ve written one ending for Team Jesse fans and one for Team Dirk fans) I don’t have a release date for it but I’m aiming for 3-5 months afterwards, depending on, you know, life.